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30 Seconds to Mars Album Covers Aim for the Sunrise Album Art Hd

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2002 studio album past Xxx Seconds to Mars

30 Seconds to Mars
A boy with short hair. He wears a white jacket with a print on the left arm. In the top left, the words "30 Seconds to Mars" and four symbols are written in red font, with the "30" in bold.
Studio album by

Thirty Seconds to Mars
Released Baronial 27, 2002 (2002-08-27)
Recorded 2001–2002
Studio
  • Cherokee Studios (Los Angeles)
  • Sunset Sound (Los Angeles)
  • The Centre for the Advancement of the Arts and Sciences of Sound
Genre
  • Progressive rock
  • progressive metallic
  • infinite rock
Length 53:07
Characterization
  • Immortal
  • Virgin
Producer
  • Bob Ezrin
  • Brian Virtue
  • Thirty Seconds to Mars
Xxx Seconds to Mars chronology
30 Seconds to Mars
(2002) 		A Beautiful Prevarication
(2005)
Singles from 30 Seconds to Mars
  1. "Capricorn (A Brand New Name)"
    Released: July 23, 2002
  2. "Border of the Earth"
    Released: March 3, 2003

30 Seconds to Mars is the debut studio album past American stone band Xxx Seconds to Mars. It was first released on August 27, 2002, by Immortal Records and distributed by Virgin Records. The album was produced by Bob Ezrin, Brian Virtue, and Thirty Seconds to Mars, and was recorded in rural Wyoming during 2001 and early on 2002. It had been in the works for a couple of years, with atomic number 82 vocalist Jared Leto writing the majority of the songs.

30 Seconds to Mars was described every bit a concept album centering on human struggle and self-conclusion, characterized past personal lyrics that utilise otherworldly elements and conceptual ideas to illustrate a truthful personal situation. The album incorporates progressive sounds with influences and elements from new wave, space stone, and electronica. Upon release, 30 Seconds to Mars received mostly positive reviews from music critics, who commended the album'south lyrical content and the band's musicianship, which has been compared to the works of Pinkish Floyd, Tool, and Brian Eno.

The anthology debuted at number 107 on the Billboard 200 and number i on the US Top Heatseekers. Information technology was a slow-burning success that somewhen sold ii million copies worldwide. It produced ii singles, "Capricorn (A Brand New Name)" and "Border of the World". Thirty Seconds to Mars promoted the album by opening concerts for bands such as Puddle of Mudd, Incubus, Sevendust, and Chevelle.

Background and recording [edit]

Past 1998, Thirty Seconds to Mars was performing gigs at small American venues and clubs. When they starting time started, lead vocalist Jared Leto did not allow his vocation as a Hollywood actor to be used in promotion of the ring.[1] They played their first concerts nether dissimilar names, before finally settling on the proper name "Thirty Seconds to Mars", which was taken from a rare manuscript titled Argus Apocraphex.[two] During this period, the band recorded demo tracks such as "Valhalla" and "Revolution", or "Jupiter" and "Hero", which later appeared on the debut anthology equally "Fallen" and "Year Nix" respectively, only also "Buddha for Mary".[3] Their work led to a number of tape labels beingness interested in signing Thirty Seconds to Mars, which eventually signed to Immortal Records.[four] In 1999, Virgin Records entered into the contract.[5]

The piece of work of Thirty Seconds to Mars generated the interest of record producer Bob Ezrin, who had previously worked on several groundbreaking projects, including The Wall by Pinkish Floyd, Beloved It to Decease by Alice Cooper, and Destroyer by Kiss. 30 Seconds to Mars contacted Ezrin because they felt that he had the ability to help them accomplish their ain vision and create a distinct sound; moreover, the ring's members grew upwardly listing to his work with Pink Floyd, Kiss and Alice Cooper.[six] Brian Virtue, who had previously worked with Jane's Addiction, joined the band and Ezrin in producing the record.[7]

Xxx Seconds to Mars retreated to the isolation of Wyoming's countryside in 2001 to record the album, tentatively titled Welcome to the Universe.[8] The band and Ezrin chose an empty warehouse lot on xv,000 acres, starting an intense period of preproduction focused on l songs.[vii] The isolation allowed the band to work at a different pace. Jared Leto said that while recording in Wyoming, "at that place was an interesting dichotomy, a kind of contradiction with the technology and the organic world that nosotros were surrounded [...] Information technology's something that I retrieve ended upwardly in the music".[6] Ezrin helped the band to understand the importance of an album's structure and how to create a progression, rather than a simple series of singles. "Nosotros really wanted to create something that had depth," Leto explained.[ix] He described the process of working with Ezrin as tumultuous but also fulfilling, having its own dynamics.[6] He also stated that Virtue was a key element in helping the band define their sound.[9] Although bassist Matt Wachter was a band member at the fourth dimension, the majority of the bass tracks were recorded by Jared Leto, with Wachter only being credited as a ring member.

The track "Fallen", originally titled "Jupiter", was the first to be produced for the album. Thirty Seconds to Mars initially thought to exclude the runway from the record since they were not satisfied with it, but then they decided to rework the song because in that location were people who had potent feelings about it.[nine] The track features programming by Danny Lohner and groundwork vocals past Maynard James Keenan. Several musicians, including Elijah Blue Allman, Renn Hawkey, as well every bit producers Ezrin and Virtue, contributed on selected tracks.[ten]

Composition [edit]

Manner and influences [edit]

The style of the anthology combined progressive metallic and space rock with influences and elements from new wave and electronica, utilizing programming and synthesizers.[11] [12] According to Jared Leto, the band wanted to create "something that had cohesiveness and kind of an atmospheric musical story to information technology".[13] He identified groups that had a sense of identity and temper as being influential on the anthology'southward songwriting. He cited classic stoner rock artists, to which he and his brother Shannon had listened while growing upward. Eventually, they gravitated toward more conceptual work similar Pink Floyd, David Bowie and The Cure.[14] 30 Seconds to Mars too drew influences from acts such every bit Björk, Blitz, and Depeche Mode; co-ordinate to Shannon Leto, the inspirations derived from "by and large big conceptional bands; bands that had depth; bands that were dynamic".[9] [15]

The sound of 30 Seconds to Mars takes on many musical stylistic shifts. Elizabeth Bromstein from Now magazine described it as a concoction of '80s electronics, industrial music and nu metallic with a heavy dose of progressive rock.[xvi] Jaan Uhelszki of Alternative Press felt that the anthology is fabricated of "sterner stuff", with the ring's prog-metal foundation "enhanced past an unexpectedly powerful sense of tune".[17] Smiley Ben of BBC Collective noted in the anthology alternative rock tendencies.[18] Ryan Rayhill from Blender found the album befitting prog-rock prototypes Rush and opined that Thirty Seconds to Mars "emerged with an eponymous debut that sounds like Tool on The Nighttime Side of the Moon", referring to the 1973 album by Pink Floyd.[11]

Lyrics and themes [edit]

xxx Seconds to Mars is a concept album focusing on human struggle and cocky-determination.[nine] It deals with characters who battle with social alienation, emotional isolation, and political malaise. The title itself "30 Seconds to Mars" indicates the accelerated human society and suggests a potential escapism from it.[7] The album's lyrics describe the personal human experience through the use of metaphors and moments of fantasy. Jared Leto regarded information technology as a "very personal anthology that sometimes uses otherworldly elements and conceptual ideas to illustrate a truthful personal situation".[9] He cited the homo struggle as the most inspiring source for the ring and explained that the record features "a definite desire for alter, for renewal, for a new get-go and ultimately, for escape".[19] Writer Karin Lowachee commented that Leto, who wrote virtually of the lyrics, allows the listener to depict his or her ain conclusions to the meanings of the songs. She noted that "this makes the music especially personal, as whatever images you conjure from the sound and words can be interpreted by your ain inner language".[xx]

Opening runway "Capricorn (A Brand New Name)" deals with a desire for renewal. Leto, however, stated that he prefers to let the listener accept its ain understanding and pregnant from the song, claiming that the interpretation, from individual to individual, is one of the most interesting aspects of music.[9] The track "Fallen" faces the necessity to escape from the inner world that every person has created for itself.[vi] The lyrics of "Oblivion", originally titled "The Reckoning", lead into a frantic threat, in which "Unity divides / Segmentation will unite". Leto described this paradox as a rather common but unfortunate occurrence.[7] [ix] A dramatic narration drives "Buddha for Mary", whose story is not virtually a specific person and represents a metaphor. "Cease of the Beginning" features a foreboding tone and emphasizes the homo nature in constant search for something.[ix] The album ends with the hidden track "The Struggle", whose lyrics were taken from the ancient Chinese war machine treatise The Art of State of war, attributed to Sun Tzu.[21]

The runway "Revolution", excluded from the final track listing, was considered past some critics equally having an anti-American tone. Leto rejected the claim and explained that it can be taken "many different means" and if taken literally or politically, it could be misinterpreted. He said that the band "didn't want a song like that to overshadow what we are about" and peculiarly after the September 11 attacks, they felt it did non fit thematically with the residuum of the album, stating that "it took on new dimensions".[9] The anthology features elements inspired past the scientific discipline fiction novel Dune by Frank Herbert, which influenced the album'due south songwriting for its themes regarding the interactions of politics, religion, engineering, and man emotion.[20]

Packaging [edit]

The photography for the album was handled by drummer Shannon Leto, with additional works provided past Ken Schles.[10] The encompass art features a teenage male child and some of the ring's symbolism. Information technology includes a phoenix logo, named "Mithra" by the band, that bears the motto "Provehito in Altum". Roughly translated from Latin, the phrase means "Launch forth into the deep". The band chose a phoenix for its association with rebirth and renewal in the Greek mythology.[22] The group expressed interest in signs and symbols and their relationships with cultures and subcultures.[13] The album'due south comprehend fine art was unveiled through the band's official website on July 29, 2002.[23] However, it was non conceived to be the original concept for the artwork. The initial cover art was discontinued and destroyed during production following the September 11 attacks due to the graphic content of the image.[24] It featured a fighter pilot ejecting from an exploding plane. Xxx Seconds to Mars explained that they never saw it as a violent image, but felt that information technology was inappropriate in the wake of the events.[25]

Release and promotion [edit]

30 Seconds to Mars was released on August 27, 2002, on Immortal Records in the United States and September 30 on EMI in the United Kingdom. Information technology was originally expected to be released in early 2002.[26] However, the band was backside schedule and the encompass design needed a reshoot.[24] The anthology'south compact disc featured enhanced material developed past Little Lion Studios, including a promotional video titled "Capricorn" directed by Lawton Outlaw, and a backside the scenes footage edited by Ari Sandel.[10] The Japanese edition of the album included the bonus track "Anarchy in Tokyo".[27] "Capricorn (A Brand New Name)" was the start single taken from xxx Seconds to Mars. It was issued a month before the album's release on July 23, 2002.[28] It had an accompanying music video directed by Paul Fedor.[29] "Edge of the Globe" was released as the anthology's second unmarried on January 28, 2003, with a music video directed by Kevin McCullough.[thirty]

After v years since its original release, 30 Seconds to Mars was made bachelor in Australia on Apr vii, 2007, on Virgin Records.[31] EMI re-issued a express edition of the album in Japan on December 2, 2009.[32] To commemorate the tenth anniversary of the album, Thirty Seconds to Mars hosted an event called MarsX on Baronial 27, 2012. Information technology was circulate worldwide through the online platform VyRT and included live playback and commentary of the record with the ring, interactive give-and-take focused on the germination of Thirty Seconds to Mars, and sectional audio-visual performances.[33] The album was likewise re-issued as a limited edition picture disc.[34] To celebrate the 60th ceremony of the long-playing vinyl, Universal Music re-issued a double LP of thirty Seconds to Mars on September 23, 2016.[35] A re-release on red translucent vinyl was pressed the following year in a limited edition for the 15th anniversary of the album.[36]

Touring [edit]

The band promoted the album through a number of tours in North America. Fifty-fifty earlier its release, Puddle of Mudd invited Xxx Seconds to Mars to open up a half dozen-week tour for them in the bound of 2002.[37] On Jan 30, 30 Seconds to Mars began a promotional tour in North America. The ring played its first European concert on June 24, 2002, at The Barfly in London, England.[38] In July 2002, they began a club tour and as well embarked on a Due north American tour supporting Incubus.[39] In early on October, they were invited by MTV to join the Campus Invasion Tour, playing 10 dates in Canada alongside I Mother Earth, Billy Talent, and Pepper Sands.[40] The band was also scheduled to open a bound bout for Adema but was forced to withdraw due to scheduling conflicts.[41]

Afterwards playing a series of shows supporting Our Lady Peace, Thirty Seconds to Mars opened an autumn tour for Sevendust.[42] The band's start advent on television was on Concluding Telephone call with Carson Daly on November 18, which aired on November 27, 2002. It was the concluding performance with guitarist Solon Bixler, which left the band due to bug primarily related to touring. The band later performed on The Tonight Show with Jay Leno and The Late Belatedly Bear witness with Craig Kilborn, which marked the commencement live performance with guitarist Tomo Miličević.[43] In 2003, the ring went on tour with Chevelle, Trust Company, and Shihad, and played thirteen shows for Lollapalooza.[44]

Disquisitional reception [edit]

Professional ratings
Review scores
Source Rating
Alternative Press favorable[45]
BBC Collective [18]
Blender [11]
Eastward! Online B[46]
Exclaim! 8/10[47]
The Gazette [48]
Kludge 7/10[49]
Melodic [l]
Now three/5[16]
Rolling Stone [51]

xxx Seconds to Mars earned by and large positive reviews upon release.[52] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 60, based on 5 reviews.[46] Jason Pettigrew from Culling Press regarded it as "an aggressive, immense-sounding piece of work that'south at one time rich in melody" and "lyrically jarring".[45] Ryan Rayhill from Blender noticed "throbbing synths" and "exploding guitars", and called the anthology a "high-minded space opera of epic scope" narrating "tales of living in deep, black oblivion".[eleven] Smiley Ben of BBC Collective described the overall sound equally "certainly compelling", and praised the sonic diversity, writing that the band "knowingly push[es] boundaries" producing "corking music with an edge".[eighteen] AllMusic reviewer Jon O'Brien called the record a "highly ambitious infinite-themed concept album", and commended its "heavy, riff-laden" guitars, "soaring" vocals and sci-fi lyrics.[53]

Johan Wippsson from Melodic claimed that the ring has "something new to add to the world" with their space-influenced modern rock.[fifty] Jeremy Gladstone of Kludge commented that the album reaches its acme with "Buddha for Mary", which he called a "virtual sonic achievement", only felt that the quality of the songs drops off at the halfway point, describing the entire projection every bit "acme-heavy".[49] Canadian critic Karin Lowachee institute the grouping's sound and vision reminiscent of their "concept-styled forbears" just "uniquely endemic" for a contemporary audience, and wrote that the ring "defies the trend by stepping out ahead of it and into the future", giving the listener something original to savour.[54] Amber Authier from Exclaim! echoed this sentiment, stating that the band stretched musical borders and represented something that is "a little unlike", offering a "solid sound".[47]

Mitch Joel from Blistering commended the ring's musical diversity, noting that they are "worth more than most of their peers on a song-past-song magnitude."[55] Elizabeth Bromstein of Now mag establish the track-to-track variation limited, although she appreciated the range of styles.[16] Peter Relic of Rolling Stone gave a mixed response, stating that the anthology has its finer moments but felt that information technology is undone by Jared Leto'due south "inexplainable, pretentious poetry" and the "sanitized quality of the heavy guitars.[51] Q magazine described it every bit having "a polished sheen", but opined that the "earnest, sci-fi-tinged lyrics gets monotonous" over the form of the album.[46] In contrast, Jason D. Taylor from AllMusic commented that the "space-historic period themes complement the group's advanced musical achievements wonderfully".[56] Megan O'Toole of The Gazette felt that every track on the anthology is a "unique masterpiece that simultaneously operates on a number of different musical and spiritual levels", writing that its music has the potential to "affect and infect the deepest recesses" of the soul.[48]

Commercial performance [edit]

In the United States, 30 Seconds to Mars entered the Billboard 200 at number 107 on the issue dated September 14, 2002.[57] Information technology besides debuted at number 1 on the Height Heatseekers. Later nine weeks, it fell to number xl, with sales of over 40,000 units.[58] Equally of August 2006, Nielsen SoundScan estimates actual sales of the anthology at over 120,000 in the United States.[59] Its lead single, "Capricorn (A Brand New Proper name)", entered the Mainstream Rock Tracks chart at number 40 and eventually reached a summit of number 31.[60] In the United Kingdom, although the album never charted, it was certified silverish by the British Phonographic Industry (BPI) in July 2013, denoting shipments of over 60,000 units.[61]

In France, 30 Seconds to Mars debuted at number 142 on the national albums chart on October 5, 2002.[62] After its release to the Australian market, the album entered the ARIA Charts at number 95 on the issue dated June 11, 2007. Information technology peaked at number 89 the following week.[63] In Greece, it entered the national albums chart in June 2011, in view of a band'due south concert held in Athens in July, reaching a pinnacle of number 41.[64] 30 Seconds to Mars was a slow-burning success, and eventually sold 2 million copies worldwide as of March 2011.[65]

Legacy [edit]

Jason D. Taylor of AllMusic considered the release of 30 Seconds to Mars a "daring new step in musical evolution" and noted that its touch on left "vast corridors of audio open for the listener to meander down at will". He commented that Thirty Seconds to Mars managed to tape an album that "breathes life" into the "empty shell that corporate rock has get", and felt that in "reanimating an avenue of musical expression that has for many years been on its deathbed", the ring maybe offered the best stone experience of 2002.[56] 30 Seconds to Mars was named one of the all-time albums of 2002 by a number of publications, including CMJ New Music Report, Kludge, Melodic, and Metal Hammer.[66] Johan Wippsson of Melodic regarded information technology as "one of the virtually unique anthology when it comes to an own style", while music critic Megan O'Toole from The Gazette felt that the band managed to "carve out a unique niche for themselves in the rock realm".[50] [48]

A writer of MuchMusic called the anthology a "work that is built to last", noting that the band produced "something unique" with "depth and substance".[seven] Artistdirect agreed and explained that 30 Seconds to Mars established the group every bit "fresh, new force", revealing a "multi-faceted outfit that thrived on creative exploration and escape".[67] Jon O'Brien, writing for AllMusic, labelled the album ane of the "more disarming actor-turned-rock star" efforts.[53] In a retrospective review in 2012, Ian Winwood from Kerrang! deemed the record an "epic starting point" for the music that followed, and stated that information technology displayed Jared Leto's "vast, cinematic writing style". He considered its music "undoubtedly the most aggressive they've created" and regarded lead single "Capricorn (A Brand New Name)" as the ring's "most muscular moment".[24]

Rails listing [edit]

All tracks are written by Jared Leto, except where noted.

No. Title Length
one. "Capricorn (A Brand New Proper name)" three:53
two. "Edge of the Earth" 4:37
3. "Fallen" four:59
4. "Oblivion" 3:29
5. "Buddha for Mary" 5:45
6. "Echelon" v:49
seven. "Welcome to the Universe" 2:40
8. "The Mission" 4:04
9. "End of the Start" 4:39
10. "93 Million Miles" five:20
11. "Year Nothing" (includes the hidden rails "The Struggle": Jared Leto, Shannon Leto) 7:52
Full length: 53:07
30 Seconds to Mars – Japan bonus track
No. Title Length
xi. "Year Naught" 4:44
12. "Anarchy in Tokyo" (includes the hidden rail "The Struggle": Jared Leto, Shannon Leto) seven:35
Total length: 57:52
30 Seconds to Mars – Enhanced CD extras
No. Title Length
1. "Capricorn" (Flash Video) iii:33
2. "Backside the Scenes Footage" 5:52

Personnel [edit]

Credits adapted from 30 Seconds to Mars album liner notes.[10]

Charts and certifications [edit]

Release history [edit]

Notes [edit]

  1. ^ Tagliaferro 2006, p. 38.
  2. ^ "Matt Wachter, Tomo Milicevic – 30 Seconds to Mars". Confront. June 28, 2006. Archived from the original on September 10, 2007. Retrieved Baronial 29, 2013. {{cite spider web}}: CS1 maint: unfit URL (link)
  3. ^ Poncet 2002, p. 41.
  4. ^ LaGambina 2002, p. twenty.
  5. ^ Paine, Andre (August 18, 2008). "Virgin Sues thirty Seconds To Mars For $xxx Meg". Billboard . Retrieved August 29, 2013.
  6. ^ a b c d LaGambina 2002, p. 21.
  7. ^ a b c d due east "30 Seconds to Mars". MuchMusic. Bell Media. Archived from the original on October 22, 2002. Retrieved May sixteen, 2014.
  8. ^ "In the Studio". Virgin Records. May 23, 2001. Archived from the original on Dec 13, 2003. Retrieved May sixteen, 2014.
  9. ^ a b c d eastward f one thousand h i j Redmon, Jess (May 10, 2002). "30 Seconds To Mars: Welcome To Their Universe". Shoutweb.com. Archived from the original on April 30, 2008. Retrieved August 29, 2013.
  10. ^ a b c d 30 Seconds to Mars (booklet). Thirty Seconds to Mars. Immortal Records. 2002. 12424. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  11. ^ a b c d Rayhill, Ryan (September 2002). "thirty Seconds to Mars". Blender (ix): 142. Archived from the original on August 13, 2004. Retrieved November 25, 2015.
  12. ^ Gordon, Jay. "xxx Seconds To Mars". D1 Music. Archived from the original on January iv, 2003. Retrieved May xviii, 2014.
  13. ^ a b O'Toole, Megan. "30 Seconds to Build a Make New Globe". The Gazette. 96 (half dozen). Archived from the original on November 28, 2002. Retrieved Nov 5, 2014.
  14. ^ Niccum, Jon (December six, 2002). "Jared Leto shuffles from movies to rock music". Lawrence.com. Retrieved November 21, 2015.
  15. ^ "Welcome to the Universe". Infamous Souls. October 25, 2002. Archived from the original on August 25, 2003. Retrieved April 18, 2014.
  16. ^ a b c Bromstein, Elizabeth (November 21, 2002). "thirty Seconds To Mars". At present . Retrieved November 21, 2015.
  17. ^ Uhelszki 2002, p. 19.
  18. ^ a b c Ben, Smiley (April 18, 2004). "xxx Seconds to Mars". Collective. BBC. Archived from the original on February 10, 2005. Retrieved August 19, 2010.
  19. ^ LaGambina 2002, p. 22.
  20. ^ a b Lowachee 2003, p. 5.
  21. ^ Lowachee 2003, p. 4.
  22. ^ Williams, Jonathan (August 2005). "30 Seconds to Mars". Prick. Archived from the original on November 24, 2005. Retrieved November 20, 2015.
  23. ^ "Album Cover Design Finalized". Virgin Records. July 29, 2002. Archived from the original on December 13, 2003. Retrieved November twenty, 2015.
  24. ^ a b c Winwood 2012, p. 22.
  25. ^ "Discontinued". Virgin Records. September thirteen, 2001. Archived from the original on December 13, 2003. Retrieved November 20, 2015.
  26. ^ "At the Captain". Virgin Records. September 1, 2001. Archived from the original on December xiii, 2003. Retrieved November 21, 2015.
  27. ^ a b "30 Seconds to Mars" (in Japanese). Oricon. Retrieved May fourteen, 2014.
  28. ^ "30 Seconds To Mars Prep Video". Shoutweb.com. July eleven, 2002. Archived from the original on October 15, 2002. Retrieved May 29, 2014.
  29. ^ "Paul Fedor and Making videos with thirty Seconds To Mars". Buzznet. SpinMedia. March eleven, 2008. Archived from the original on Jan eleven, 2014. Retrieved November 21, 2015.
  30. ^ "Modern Rock Airplay Archive". FMQB. Archived from the original on March 22, 2013. Retrieved May 25, 2013.
  31. ^ a b "30 Seconds to Mars". Sanity. Archived from the original on May xxx, 2014. Retrieved May fourteen, 2014.
  32. ^ a b "30 Seconds to Mars (First Press Limited Edition) (Japan Version)". YesAsia. Retrieved May 29, 2014.
  33. ^ "Celebrate 10 Years of Life on Mars". The Hive. August 18, 2012. Archived from the original on Baronial 24, 2012. Retrieved May 29, 2014.
  34. ^ a b "MARSX Self-Titled Vinyl Picture Disc". Thirty Seconds To Mars Shop. Archived from the original on March 5, 2014. Retrieved May 14, 2014.
  35. ^ "thirty Seconds To Mars "Self-Titled" and "A Beautiful Lie" Vinyl Reissue". The Vinyl Collective. Baronial 23, 2016. Retrieved September viii, 2017.
  36. ^ "thirty Seconds To Mars Limited Edition Vinyl". Universal Music. Archived from the original on September 9, 2017. Retrieved September eight, 2017.
  37. ^ Jordan, Chris (March 22, 2002). "Puddle Of Mudd Deliver No-Frills Rock At Philly Date". MTV. Viacom Media Networks. Retrieved May 26, 2014.
  38. ^ Brannigan 2010, p. 23.
  39. ^ "Incubus and 30STM Tour". Kludge. July iv, 2002. Archived from the original on May 31, 2004. Retrieved November 26, 2015.
  40. ^ "I Mother Earth Headline MTV Campus Invasion Tour". ChartAttack. September 4, 2002. Archived from the original on 2014-03-07. Retrieved May 26, 2012.
  41. ^ "Adema tour canceled". Virgin Records. May 23, 2002. Archived from the original on December 13, 2003. Retrieved May 26, 2014.
  42. ^ Campbell, Courtney (November 2002). "30 Seconds to Mars". Earplugs Required. Retrieved May 26, 2014.
  43. ^ Anderson, Philip (April 19, 2006). "Interview with Tomo Milicevic and Matt Wachter of 30 Seconds to Mars". Kaos2000. Archived from the original on May 5, 2007. Retrieved December xiii, 2012.
  44. ^ "Lollapalooza Bout Stops In Irvine". Rockdirt.com. August xix, 2003. Retrieved August 6, 2010.
  45. ^ a b Pettigrew, Jason (June 2002). "30 Seconds to Mars". Alternative Press (167).
  46. ^ a b c "Critic reviews for xxx Seconds to Mars". Metacritic. CBS Interactive. Retrieved August 19, 2010.
  47. ^ a b Authier, Amber (December one, 2002). "30 Seconds To Mars". Exclaim! . Retrieved May 18, 2014.
  48. ^ a b c O'Toole, Megan (September 26, 2002). "30 Seconds to Mars". The Gazette. 96 (17). Archived from the original on April 19, 2003. Retrieved May 29, 2014.
  49. ^ a b Gladstone, Jeremy. "30 Seconds to Mars". Kludge. Archived from the original on November 25, 2003. Retrieved August xix, 2010.
  50. ^ a b c Wippsson, Johan. "30 Seconds to Mars". Melodic. Archived from the original on September 23, 2013. Retrieved March 18, 2014.
  51. ^ a b Relic, Peter (September 19, 2002). "30 Seconds To Mars". Rolling Rock (905). Archived from the original on May xiii, 2007. Retrieved November 25, 2015.
  52. ^ D'Averc, Rhiannon (July 26, 2015). "The 5 defining moments of xxx Seconds to Mars' career". AXS. Retrieved November 20, 2015.
  53. ^ a b O'Brien, Jon. "thirty Seconds to Mars". AllMusic. All Media Network. Retrieved May 26, 2014.
  54. ^ Lowachee 2003, p. 6.
  55. ^ Joel, Mitch. "30 Seconds To Mars (Virgin)". Blistering. Archived from the original on May 30, 2014. Retrieved June 22, 2016.
  56. ^ a b Taylor, Jason D. "30 Seconds to Mars". AllMusic. All Media Network. Archived from the original on September 18, 2010. Retrieved November 26, 2015.
  57. ^ "Billboard 200". Billboard. 114 (37): 83. September xiv, 2002.
  58. ^ Ault 2002, p. 18.
  59. ^ Lear 2006, p. 34.
  60. ^ "Mainstream Rock Tracks". Billboard. 114 (40): 85. October 5, 2002.
  61. ^ a b "British anthology certifications – 30 Seconds to Mars – xxx Seconds to Mars". British Phonographic Industry.
  62. ^ a b "Lescharts.com – 30 Seconds to Mars – 30 Seconds to Mars". Hung Medien. Retrieved May 14, 2014.
  63. ^ a b "The ARIA Report: Issue 902 (Calendar week Commencing 18 June 2007)" (PDF). National Library of Australia. Archived from the original (PDF) on 2007-07-nineteen. Retrieved May 14, 2014.
  64. ^ a b "Official Cyta – Superlative 50 Albums 24/2011". Hung Medien. Archived from the original on Oct 21, 2012. Retrieved November xx, 2015.
  65. ^ Evans 2011, p. 29.
  66. ^ End of year critic lists:
    • CMJ New Music Study: "The Year In Review". CMJ New Music Report. 74 (795): 44. December 30, 2002.
    • Kludge: "The All-time of 2002". Kludge. Archived from the original on July 22, 2004. Retrieved November 25, 2015.
    • Melodic: "Best of 2002". Melodic . Retrieved March 29, 2014.
    • Metal Hammer: "Top xx Albums of 2002". Metal Hammer. Jan 2003.
  67. ^ "Thirty Seconds to Mars". Artistdirect. Retrieved November 26, 2015.
  68. ^ a b "thirty Seconds to Mars – Chart History: Billboard 200". Billboard . Retrieved June 28, 2013.
  69. ^ "thirty Seconds to Mars". Retrieved May 14, 2014.
  70. ^ "thirty Seconds to Mars". Retrieved May 14, 2014.
  71. ^ "30 Seconds To Mars" (in Dutch). Bol.com. Retrieved May 14, 2014.
  72. ^ "xxx Seconds To Mars" (in High german). EMI Music Germany. Archived from the original on October 2, 2011. Retrieved May 14, 2014.
  73. ^ "thirty Seconds to Mars" (in Italian). EMI Records Italy. Archived from the original on May 14, 2014. Retrieved May fourteen, 2014.
  74. ^ "thirty Seconds to Mars". 2002-09-30. Retrieved May 14, 2014.
  75. ^ "30 Seconds to Mars". Marbecks. Archived from the original on March x, 2012. Retrieved May 14, 2014.

References [edit]

  • Ault, Susanne (November 9, 2002). "Celeb Bands Accomplish for Stars". Billboard. Nielsen Business Media. 114 (45): eighteen.
  • Brannigan, Paul (February twenty, 2010). "The Domicile Front". Kerrang!. Bauer Media Group (1300): 22–26.
  • Evans, Mark (March 2011). "Mars Attacks". What'southward on. Motivate Publishing (395): 29–30.
  • LaGambina, Gregg (July 2002). "xxx Seconds to Mars". The Album Network (96): xx–22.
  • Lear, Courtney (August 26, 2006). "Mission to Mars: Blasts Off Once more". Billboard. Nielsen Business Media. 118 (34): 34.
  • Lowachee, Karin (2003). "Rock Gods of State of war: Space, Symbols, and Synth-Rock Imbue the Metaphoric Musical Globe of thirty Seconds to Mars". Mars Dust. Mysterian Media.
  • Poncet, Emilie (Oct 2002). "Lost in Infinite". Rock Audio (106): 40–42.
  • Tagliaferro, Lauren (June 23, 2006). "Tell Me – 30 Seconds to Mars". The Buffalo News. Berkshire Hathaway: 38.
  • Uhelszki, Jaan (September 2002). "Rock Implosion". Alternative Press (170): 18–19.
  • Winwood, Ian (Feb 18, 2012). "10 Years of Life on Mars". Kerrang!. Bauer Media Group (1402): 20–23.

External links [edit]

  • thirty Seconds to Mars at Discogs (list of releases)

silvaobstande.blogspot.com

Source: https://en.wikipedia.org/wiki/30_Seconds_to_Mars_%28album%29

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